Thursday, October 7, 2010

Answers to 2009 Paper

1a.
In this passage, how does Catherine Lim make Karen such an unlikable character?


Candidates are expected to support the idea that Karen is an unlikable character for a passing grade. If students misread the question to read ‘likeable’ or any other similar adjective, they should not be given marks higher than 12. Candidates are expected to explain the various ways that Karen is unlikable and provide supporting evidence.

Candidates are expected to be able to argue in a cohesive and cogent manner with appropriate examples from the text itself. Candidates should not be given marks for using repeated egs in their answer.

Suggested answer:

§ Cruel:
§ Uses unkind words when referring the old woman
- Now the place is a pigsty; filth, (when referring to her room)
- Refers to her mother-in-law ‘Monster’ to her friends and talks about her unkindly behind her back.
- Makes fun of her mother-in-law - “Not to mention the continual irritation of having one’s name distorted to ‘Kay-Lan’ and hearing one’s children called ‘Ka-Ro’ and ‘Li-Ki’.”
- Enjoys the attention she gets from her friends when she gossips about her mother-in-law “They all laughed, they liked Karen’s sense of humour.”
- “In a confidential tone” – shows that she likes the attention.
- Encourages her husband to put his mother in the hospital, even though she knows how attached she is to her belongings.

§ Self-centered/Selfish:
§ Wants mother-in-law to give up her furniture for new, matching furniture.
- She did not want to give up her rooms in her “new, lovely house” to accommodate the “ stupid, sickly, stubborn old woman of seventy who kept all sorts of filth in it… was a most horrifying one”
- “Make it a study and music room for the children.”

§ Complaining:
§ Complains to husband about bugs and the smell of the mother-in-law’s room.

§ Sly:
- Manipulates her husband into thinking that she was concerned for his mother’s welfare – “glad to show her husband that it was really concern for his mother that she was making so much noise about the old rickety, bug-infested bed.”
- Pretends to be concerned when husband decides to put his mother in the hospital “Darling, is everything okay? Is mother comfortable? Which doctors are in charge of her?”
- Decides to wait for an opportune moment to tell her husband about her wish to sell the bed for a fortune
- Already planned how she was going to persuade her husband into selling his mother’s bed “ She was going to add, in as casual a tone as she could: “By the way, darling, that old bed in her room – someone tells me that I may be able to get a good price for it. A collector’s item, sort of,” but she decided that that could come later” as though she just heard about it.

§ Unloving:
§ Refers to mother-in-law as “the thorn in her side”
§ Manipulates her husband into putting his mother in a hospital so that the house would be immaculate and she would not be inconvenienced.

§ Greedy:
§ Cannot wait to sell the bed for money, even though it does not belong to her.
- That Monster, as you call it, is worth a little fortune!
- collect these old beds, do them up, and sell them as antiques to tourists. Those
Americans and Europeans tourists love these old carved things, and will open
their fat wallets for them!”

§ Vain:
§ Her perfectly manicured nails and perfectly colour-co-ordinated house.

§ Materialistic:
§ Only cares about the bed when she finds out it has monetary value.


1b.
How does Catherine Lim build up your sympathy for the old woman? Support your opinions with close reference to this passage.

Candidates may state that the old woman may feel persecuted or any other similar terms, and alone as she has no one to talk to. Candidates cannot use the word “paranoid” as there is evidence for the fact that Karen is actually trying to get her out of her house and her son seems too ‘hen-pecked’ and ineffective to help her.

§ Creates suspense and leads us to the picture of a seemingly frail woman on the bed. She seemed afraid of the family but why? This question looms big in our minds.
- Old grandmother lay on her bed, stiffening a little, suspicious of noises but seemed relieved that “the whole family had gone out for the afternoon, and there would be nobody to disturb her.”
§ She leads us to figure out the mystery by playing on our natural sympathies for the poor and aged.
§ The old woman seems defenseless
§ Lives in fear of her daughter-in-law
- Why must that daughter-in-law of hers force her to get rid of the things in her room – her table, her cupboard, her bed!
- They even want to take my things away from me and throw them away.
- overwhelming sadness so that old grandmother moaned and rocked from side to side in misery.
§ Abandoned by her sons and daughters
- My sons and daughters do not care for me
- They argue with one another about whose turn it is to take me in.
- They think I cannot understand the foreign language they speak, but I know all that they are saying
§ Sons and daughters appear to be selfish and make use of the old woman
- They do not want me because I am old and sick and cannot take care of their children anymore
- They have forgotten that I am their mother.
§ Terrified of her daughter –in-law and thinks she is killing her
- had nightmare
- she had a dream in which she saw Karen coming in with an axe and chopping the bed into pieces
- The dream was so vivid that she started crying: “Don’t do that!”
§ Knows that her son and daughter-in-law are plotting against her and she is powerless to help herself. It is pitiful as they were discussing her fate in front of her and did not consider her as a human being but as a possession they can move about at their own convenience. More than this, the old woman knows what they are talking about which makes the scene even more pitiful.
- They were talking in low whispers. They were talking in their foreign language as usual thinking she could not understand, but she could always get at the essential meaning.
- The old woman has to go to the hospital and not to “die” at home.
- She tried to say, “No, let me die here. Let me die on this bed,” but of course nobody could hear her.
§ Fought for her treasured bed and possessions, even though she was not able to say it aloud, she wanted to shout. Shows the extent of her helplessness.
- Old grandmother wanted to shout at her: “You’re going to get rid of me at last! You’re going to throw my things, my treasured bed!”
§ Catherine Lim builds up the tension of on one hand, the son and daughter-in-law disposing of the old woman and on the other, her complete helplessness at fighting for herself. In this way, she was very successful in building our sympathies for the old woman; we feel for her and emphasize with her situation.



1c
Who or what do you think is the real “Monster” in this story? Provide reasons to support your answer from this passage.

Candidates are expected to know what irony is in order to answer this question. Personal response question.

From Karen’s point of view, the Monster is the old woman’s bed. However, in retrospect, the Monster is Karen herself, as she was cruel and exploited the old woman and to a lesser extent, her husband.

The candidate can also conclude that the Monster can be something intangible, like greed as Karen saw the money that she could get from the sale of the old woman’s bed.

Accept all reasonable and well-supported answers.



Unseen Poetry [25 marks]
2a.
How would you describe the relationship between the father and son in the first half of the poem (lines 1 – 19) and the second half (lines 25 – 45)? Use evidence from the poem to support your answer.

Candidates are expected to point out the various things that the father is not able to do with his son and the two important events in his son’s life that the father misses – the son’s childhood and the ball playing lessons. Candidates are also expected to point out that the father’s preoccupation with his own life and work has resulted in this heartbreaking state of affairs. Similarly candidates are expected to point out the same for his son. It would also be useful if candidates realise the irony of the situation, especially the refrain of finding time to be together later in their lives that did not materilase.

§ Relationship is dysfunctional and emotionally separated from each other. Father is always absent even for his son’s important years – when he learns to play ball and when he was born.
§ Father is too busy/obsessed with
- But there were planes to catch and bills to pay
- And the son “ learned to walk while (he) was awayAnd he was talkin' 'fore I knew it, “
- Father has “got a lot to do” and is not able to enjoy his son’s childhood, nor teach him to “play ball”.
- Playing ball is what fathers and sons do together to bond and to enjoy being together but unfortunately the father is too busy trying to earn a living for the family (assumption) and forgot to appreciate his son who is part of the family that he is trying to support. This is ironical.
- The father thinks there will always be a time where they “ get together” although he does not “know when “ and he promised his son that they will “have a good time then”.





Second half – It is sad when we learn that the son had “grown up just like (his father); The poignant refrain “My boy was just like me” is quite heartrending.
Some of the most memorable and sad lines are the following :
- Well, he came home from college just the other daySo much like a man I just had to say”.
- “So much like a man “–the son is already a man without the father noticing that he is surprised.
- What I'd really like, Dad, is to borrow the car keysSee you later, can I have them please?"
- I'd love to, Dad, if I can find the timeYou see my new job's a hassle and kids have the fluBut it's sure nice talking to you, DadIt's been sure nice talking to you"
- The bold words are echoes of what his father had told him before.
- And as I hung up the phone it occurred to meHe'd grown up just like meMy boy was just like me
2b.
What is the significance of the repeated line “you’ll know we’ll have a good time then”?

Emphasizes the empty promises that the father makes to the sun, it strengthens the pathos in the poem, and it also reminds the reader that these promises will never come true.

2c.
The childhood nursery rhymes ‘and the cat's in the cradle and the silver spoon/Little boy blue and the man on the moon’ (lines 8 – 9) seem to connect the various memories together. Why do you think the poet uses them as part of the chorus?

Possibly to tell the reader about the fleeting time of childhood/ to remind the reader that childhood is a precarious time when all things seem to be possible.
Juxtaposes the world of the adult.
To remind the father/audience that childhood is a short period in a person’s life and when it passes, there is nothing that can be done to retrieve it. Father and therefore the audience needs to treasure this period in his/our children’s lives.

2d.
What do you think is the theme or message in this poem? Why do you say so?

Personal response. Accept any reasonable answer.

Sunday, April 4, 2010

Groupings

Sec 2E3
Group 1
(Yifang, Joyce, Wenhan, Weixun, Russell)

Group 2
(Chrysta, Nicholle, Yi Jie, Nicholas, Tianhao)

Group 3
(Bernard, Dinie, Firdaus, Eng Siang)

Group 4
(Maryam, Chi Shuen, Wayne, Desmond)

Group 5
(Vance, Zhibin, Jordan, Denise, Huiyi)

Group 6
(Danial, Joanne, Sara, Mag, Bo Kai)

Group 7
(Vania, Deeqa, Caiting, Meixuan, Suhaimi)

Group 8
(Liyan, Huilu, Meixuan, Darren, Lau)

Sec 2E4

Group 1: Skillz
(Adam, Ayman, Zikri, Jinhong, Kevin)

Group 2
(Cheryl, Cassandra, Lilian, Ruisin, Ann)

Group 3: J.A.V.A
(Ain, Vanessa, Jamie, Ashikin)

Group 4
(Amelia Ng, Chong Huey Yee, Yang Yuting, Nurshirah, Hazwani)

Group 5
(Jeremy, Liang Wei, Weng Yew, Alastair, Isaac)

Group 6
(Davin, Ruixiang, Zhipeng, Junhan, Sean)

Group 7
(Chun Meng, Ryan, Liang Kai, Zesen, Louis)

Group 8: JJuST-MMe
(Jane, Juslyn, Shaynnie, Michelle, Martin)

Sec 2E6
Group 1: Super
(Allan, Felix, Xinge, Wisely, Zhiwei)

Group 2: Saffiees.anjells
(Hui Yin, Regine, Si Si, Clarissa, Derek)

Group 3: 3 plus 2 blackies
(Chen Lin, Yi Ping, En Ru, Xin Yi, Chun Long)

Group 4
(Weiqian, Xin Ni, Jacky, Hakeem, Nabil)

Group 5
Syafiqah, Shefa, Yan Xin, Fatin, Jumairah)

Group 6
(Wan Mei, Edmund, Cheryl Tan, Mingzhen, Jiaxin)

Group 7: Super Strawberries
(Thomas, Aaron, Yuan Lun, Aik Ming, Ben)
tributemum.blogspot.com

Group 8: S2CAR
(Charmaine, Ruth, Adriana, Cheryl N, Syafraaz)

Sec 2E7
Group 1
(Zahirah, Valencia, Julia, Christy, Denise)

Group 2
(Tan Si Ying, Steffi Wong, Vera Sng, Kemberly Kay)

Group 3: Random Peeps
(Raelene, Alex, Janice, Marlene, Shien)
Group 4
(Lim Fang Jie, Yun Jie, Ashikin, Yiwen, Nadiah)

Group 5
(Adeline Lau, Regine Tan, Janice Ho, Chew Xin Yi)

Group 6
(Lim Ai Ni, Bertha Lim, Aik Ming Hui, Park UV, Linston Poh)

Group 7
(Uyanga, Winnie, Elysia, Kessa, Yao Xin)

Group 8
(Razi, Eric, Nigel, Junhao, Ivan)

Group 9
(Nicholas, Rachel, Melanis, Farezah, Jia Jia)

Sec 2MY Exam

At the opening of her new art museum, Eve Casson has generously freed some space for her children and their friends to put up their art work alongside hers. You and your classmates are part of this group of friends who have been invited to showcase THREE exhibits for her exhibition, ‘Angels in My Closet’. The following are the requirements of the three exhibits:

Exhibit # 1 (Individual Work – 25marks)
Title: Tribute to Mother
Task: (Poem and Painting)
A) Write a poem to honour your mother in a way that befits her labour of love. Try to include 2 or more of the following in your poem:
- similes
- metaphors
- personification
- rhyme
- rhythm

B) You are required to submit a painting that complements the poem and provide a short description of the painting.

Painting Style: Symbolism/ Impressionism
Medium: Acrylic on canvas / Watercolor on watercolor paper

NB- Selected work will be submitted for an actual competition organized by the Tampines Chankat Community Club, ‘Poetry Competition on “A Tribute to Mothers”. See Attachment. Deadline for the submissions of Exhibit #1 is 16 April 2010.

Exhibit # 2 (Group Work – 25 marks)
Title: It’s My Life!
Task: (Photography)
- Choose any character from Saffy’s Angel. (e.g. Sarah)
- Do up a photo collage which you feel best captures and represents the life of the chosen character. (e.g. picture of a wheelchair part, nose with stud, agonized facial expressions, items in her room, etc) Please be creative and try not to use these given examples.
- Due to copyright issues, you are NOT ALLOWED to download and use images from off the web.
- You need to take the photographs yourselves. Photographs may be full-color or black and white. (You may use photoediting softwares or other resources to help you enhance your collage e.g. http://www.shapecollage.com/)
- Mount your photos securely on thick board paper before submission.
- Write a short description of your work.

Exhibit # 3 (Group Work – 25 marks)
Title: _____________________ (Create your own)
Task: (Sculpture)
- Build a small sculpture (no more than 50cm tall) which encapsulates a theme found in Saffy’s Angel.
- Title your work
- Write a short description of your work.

The deadline for submission for Exhibits #2 and #3 is 10 May 2010.

Summary of Saffy's Angel

This is a summary of Saffy's Angel by Sec 2E3, 2E4, 2E6 and 2E7.

Summary of Saffy’s Angel

Chapter 1

P1 – Introduction to the characters: Saffron, Eve, Bill. Saffy looks at the color chart.

P2 – Introduction to Indigo, Rose. Protective of all his sisters, Indigo tells her to look for Rose’s name first.

P3 – Introduction to Caddy. Health visitor’s check on Rose. Saffron is annoyed that the visitor made Rose cry and bragged about her twins.

P4 – Health visitor loses patience over Rose sucking on paint. Saffron still can’t find her name in the chart

P5 – Saffron keeps repeating her name is not on the chart. Health visitor leaks the secret that Eve had been keeping from Saffy.

P6 – Health visitor panics because of Rose sucking on paint. The siblings are relatively calm.

P7 – Eve’s feelings towards her life as an artist and mother; she cries after health visitor leaves

P8 – Saffy tries to find out more about her name. Introduction to Bill

P9 – Saffy discovers her own identity (she is not Eve’s daughter) and that of her stone angel. She has a frequent dream that makes her sad.

P10 – Argument between Saffy and family; Saffy feels detached from family.

P11 – Saffy and Eve discuss about Saffy’s real mother; Eve can’t tell Saffy much about her father

P12 – Eve tells Saffy about her mother’s car crash. Introduction to Grandfather, assurance that she is related to her grandfather

P13 – Relationship between Saffy and Grandfather

P14 – Grandfather’s past; Caddy describes the evening when Saffy came to their family.

Chapter 2

P15 – Description of Banana House.

P16 – Bill dislikes the untidiness of the house. Rose starting school after some time

P17 – Rose’s first day of school. Rose draws a picture of the Banana House. 1st mention of ‘the wheelchair girl’

P18 – Her art work is ‘confiscated’ and put on display. Rose wants Indigo to help her take down her picture

P19 – Indigo got the picture back

P20 – Caddy makes a duplicate of the picture.

P21 – Rose wants a big gold frame. Grandfather visits them

P22 – Children chat with grandfather; having a ‘Show and Tell’ session.

P23 – Children take grandfather home after argument. Michael is introduced; he is Caddy’s driving instructor.

P24 – Michael instructs Caddy to be alert during her driving lesson

P25 – Caddy brings her hamster for driving lessons. She and Michael have a conversation in the car.

P26 –Michael motivates Caddy by introducing Diane, his imaginary girlfriend. Michael sees Indigo on the windowsill and was afraid for him

P27 – Caddy brings Indigo down from the sill after explaining to Michael about him. after explaining to Michael about him.

Chapter 3

P28 – Grandfather left a lot of stuff in the Banana House.

P29 – Indigo was very determined to read all the Polar explorer books left by the grandfather

P30 – Indigo decides to overcome his fear. Family is informed about grandfather’s death

P31 – family feels very sad about the death (except Bill) He is hesitates going home

P32 – Acceptance of death by the Casson family.

P33 – Bill gets irritated and argue with family over the death.

P34 – Caddy decides they should all go for the funeral. They decide what to wear

P35 – family arrives at funeral. Children sing very loudly.

P36 – They find their grandfather’s will

P37 – They read the will. Caddy was left the property in Wales, Indigo was left the car

P38 – Rose was left with money from grandfather

P39 –Saffron was given the stone angel<>

P40 – Saffron insisted that the stone angel is real

P41 – Family gets ready to say goodbye to Bill

P42 – Bill says goodbye to the Casson family

P43 – saffy chases after Bill to return the sandwiches which he deliberately left behind

P44 – saffy got knocked over by sarah. Rose finds ingredients for her painting. Caddy is helping Indigo overcome his fear of heights

P45 – Rose tells Caddy where Saffy is.

Chapter 4

P46 – Saffy is knocked down by Sarah (in wheelchair). Sarah asks her why Saffy shouted at her dad.

P47 – Saffy and Sarah become friends. They introduce themselves

P48 – Saffy and Sarah get to know each other better

P49 – Sarah describes her likes/ things she wants to do

P50 – Sarah elaborates on her family

P51 – Sarah finds out about Saffy’s stone angel; she describes the angel garden from her dream

P52 – Indigo tries to overcome his fear of heights

P53 – Indigo is still on the windowsill

P54 – Saffy is worried she might lose Sarah if she met the Casson family

P55 – Saffy sends Sarah home. She decides to tell her family about Sarah

P56 – Saffy decides to tell her family about Sarah

P57 – Saffy dreams of her angel

P58 – Saffy dreams of her angel

Chapter 5

P59 – Michael is frustrated with Caddy’s driving skills

P60 – Caddy asks questions about Michael’s girlfriend

P61 – Caddy talks about how she forgot about her brother

P62 – Michael scolds Caddy for not paying attention

P63 – Caddy wants to work in a university in Africa

P64 – Michael tells Caddy she has to do well her driving

P65 – Mrs Warbeck emphasizes the importance of homework

P66 – Saffy’s parents are very artistic

P67 – Sarah always gets her own way. She has many possessions

P68 – Saffy has fewer possessions than Sarah

P69 – Saffy doesn’t want Sarah to go look for the angel

P70 – Sarah suggests going to Sienna with her mother

P71 – Sarah explains to her mum why she wants to go to Sienna

P72 – Saffy doesn’t want Sarah to go

P73 – They start quarrelling

Chapter 6

P74 – Grandfather had his will written to every child. Rose receives one hundred and forty-four pounds from her grandfather

P75 – Rose plays with her inherited coins and creates an artwork using them.

P76 – Caddy is motivated to compete with Michael’s girlfriend; hence she works hard for her upcoming driving test

P77 – Caddy is distracted by Indigo’s issue during her driving lessons. Michael suggests bringing Indigo along to the gym.

P78 – Caddy succeeds in parking a car. She asks more about “Diane”.

P79 – Indigo and Rose jump out of the window onto beanbags. Caddy and Michael are shocked by the mess Indigo, Saffron and Rose made

P80 – The children argue with Michael.

P81 – Saffy discusses the nose-stud incident and also Sarah’s mother with Caddy.

P82 – Family members’ reactions towards Sarah’s and Saffy’s nose studs.

P83 – Saffy tries Sarah’s wheelchair and crashes into flower pots.

P84 – Saffy and Sarah discuss the trip to Siena. Saffy, Sarah and Mrs Warbeck go to town.

P85 –Saffy and Sarah listen to their friends about how they got their nose studs

P86 – Sarah’s mother gets angry when she sees her daughter seated among a gang of girls and Sarah calls Saffy to apologise

P87 – Saffy and Sarah quarrel over the nose stud. Sarah begins a plan for the Sienna stowaway

P88 – Sarah informs Saffy that she has a plan in mind.

Chapter 7

P89 – Caddy aims to study for her exams by taping notes in every room.

P90 – Caddy expects to fail her exams again but indigo tries to convince her to pass them and pursue her dream of becoming a zoologist.

P91 – Indigo succeeds in convincing her

P92 – Sarah tells Saffy the finalized stowaway plan

P93 – Saffy thinks that Sarah’s idea is crazy. She is afraid of Sarah’s mum

P94 – Saffy’s siblings are eager to find out about their conversation. Saffy explains it to them

P95 –Saffy gets to know where she came from and how she got to know the Cassons.

P96 – Caddy tells Saffy about how she came to the Banana House

P97 – Saffy finally agrees to the stowaway plan and starts to gather money in case she has to buy the stone angel

P98 – Saffy is confused about whether she wants to leave her family behind and go to Siena

P99 – Saffy’s siblings start to help their sister pack and pass her belongings to Sarah

P100 – Mrs Warbeck goes back to her school to take Sarah’s latin book. It is actually an excuse for Saffy to hide in the Warbeck’ car.

Chapter 8

P101 – Caddy has difficulties revising her English Literature

P102 – Caddy and Michael discuss Shakespeare

P103 – Caddy substitutes the characters in Hamlet for real life people. Eve, Indigo and Rose comment on how diligent Caddy is.

P104 – Eve wants Caddy to take some time off from studying. Saffy hesitates about whether or not to stow away.

P105 – Caddy wants to bring her siblings along for her driving lesson.

P106 – They talk about Saffron stowing away

P107 – Timid Indigo has a frightening car ride

P108 – Rose has an enjoyable experience while Indigo is terrified and speechless

P109 – Caddy reassures Indigo that everything is alright

P110 – Sarah’s family and Saffy are on their way to Siena

P111 – While Saffy is concealed in the beanbag, Sarah’s parents comment on the large amount of baggage Sarah has brought.

P112 –Sarah tries to divert Mrs Warbeck’s attention from Saffy’s noise in the beanbag.

P113 – On the ferry, Mr Warbeck nearly discovers Saffy. In the end, she makes her appearance.

P114 – Description of Sarah’s parents’ expressions when they discover that Saffy. Saffy reveals that she did not inform Eve about going to Siena.

P115 – Eve is worried about Saffy.

Chapter 9

P116 – Road to Siena, from England. Mr and Mrs Warbeck discover that Saffy was born in Siena.

P117 – Saffy tells them about her dream and not to mention to anyone about the stone angel.

P118 – Events at the Banana House without Saffy

P119 – Michael goes off to Spain and Caddy takes her driving test

P120 – Caddy does not think that she can pass the exams. Indigo encourages her.

P121 – Sarah cannot get up from her bed because her back is stiff.

P122 – Description of Siena. Sarah and Saffy enjoy the view.

P123 – Saffy recalls being in Siena when she was young.

P124 – Sarah and Saffy want to find the house Saffy used to live in on their own.

P125 – Saffy and Sarah’s family are having lunch and they discuss what to do next. Mr Warbeck doesn’t want to participate.

P126 – Sarah and Saffy decide to go to Saffy’s house

P127 – Mrs Warbeck, Sarah and Saffy go to Saffy’s house by cab

P128 – They arrive. Saffy cries when she stands outside her former house.

P129 –Sarah tries to open the garden door but it is locked.

P130 – Although they are disappointed, they are determined to return again to Saffy’s former house.

P131 – Mr Warbeck, Sarah and Saffy play a ‘spotting game’ involving Italian bottoms.

Chapter 10

P132 – Saffy calls home everyday.

P133– Eve is worried for Saffy when she told her where she was. Saffy and Mrs Warbeck reassure her.

P134 – Rose hangs up the phone and there is a slight argument between Bill and Rose.

P135 – Rose explains to Bill what everyone is doing. Rose prevents Bill from return home.

P136 – Rose explains to Bill why Eve and everyone else was busy.

P137 – Saffy, Sarah and Mrs Warbeck go shopping. Caddy is stressed over her studies and driving.

P138 – Caddy is sad because of not being able to see Michael after passing her driving test. Indigo and Rose discuss Saffy’s angel.

P139 – Saffy and Sarah go back to Saffy’s old home to find the stone angel but they are not successful.

P140 – Mr Warbeck helps to alert the hotel that the fountain is spoilt. It is fixed immediately.

P141– The old house is locked and Saffy can’t enter. Saffy’s feelings towards not being able to find the stone angel

P142 – They find out there are people living there. Sarah and Saffy decide to go to her old house early in the morning.

P143 – Saffy and Sarah discuss how to go into the house (they plan to scale the wall)

P144 – They decide on a plan. Flashback on memories about the Banana House.

P145 – Eve returns to her shed to start painting. Caddy is nervous about her driving test. Passing it would mean not being able to see Michael.

Chapter 11

P146 – Saffy and Sarah visit her old house in the early morning. They are recognized by café owners.

P147 – They sneak into Saffy’s old house and meet a tiny old woman.

P148 – They old lady recognizes Saffy as she used to be a neighbour. They have a chat.

P149 – Antonia reminds Saffy of her childhood. The angel used to belong to Saffy’s mother.

P150 – Sarah and Saffy find out that Saffy’s angel was brought to England by her grandfather.

P151 – After knowing what happened, they headed back to England. Antonia finds out about the death of Saffy’s grandfather.

P152 – The family joke along the way and plan to go back to Siena the next week. Bill complains he can’t focus with the noise.

P153 – Sarah’s family talk about drivers and Saffy calls the Banana House before leaving Siena

P154 – Sisters are painting. Saffy’s family find out that their grandfather had brought Saffy’s angel back to England

P155 – Michael goes to the Banana House to fetch Caddy for her driving test as she forgot. She tells him to cancel it as she is very busy.

P156 – Caddy is forced into the car and they drive away.

P157 – They divide the Banana House into 3 parts for the search. Rose and Indigo start to look for Saffy’s angel in the third level of their house (the attic)

P158 – Rose and Indigo continue their search everywhere in the messy house.

P159 – Rose and Indigo find nothing and Caddy comes back home crying. Eve consoles her.

P160 – Eve cooks supper for the family. Bill is planning to come home the next day, but Saffy would not be home yet.

P161 – The family wonder when Saffy will be back. They plan to tell Bill about Saffron, that she is in Sarah’s house, when he comes back. Caddy joins in the search for Saffy’s angel.

P162 – They search downstairs but there is nowhere else to look for the angel.

Chapter 12

P163 – Eve spends the night in the shed. The Casson children go to bed after their search. Indigo knows where Saffy’s angel is.

P164 – Caddy passes her driving test. She is upset about not being able to see Michael again.

P165 – Indigo works out a way to find Saffy’s angel.

P166 – Caddy tells Rose and Indigo her driving problems. Indigo and Rose solve her driving problems.

P167 – Caddy remembers what her mother has allowed them to do.

P168 – Caddy, Rose and Indigo want to ask their mother to allow them to go to Wales.

P169 – They do not manage to ask permission from their mother as she was distracted easily. Rose and Indigo want Caddy to drive them to Wales.

P170 – Caddy tells her mother she passed her driving test. Eve leaves for her work.

P171 – Caddy panics when she realizes Michael is not beside her in the car. Caddy, Rose and Indigo set off on their journey to Wales.

P172 – On their way, they had a few stops as Caddy remembers she is not with Michael.

P173 – During their journey, they come across a fox which was squashed flat. Caddy cries.

P174 – Indigo starts to imitate Michael, instructs Caddy what to do and calms Caddy down.

P175 – Stopping every now and then to rest and have a few bites, they continue on their journey.

P176 – They reach Wales and find the house they had been looking for.

P177 – Description of the grandfather’s house. They find a notice and Indigo’s inherited car.

P178 – They find a box that contained the address that they had found in Eve’s book.

P179 – Bill looks forward to going back to the Banana House. But upon arrival, he finds the house deserted.

P180 – Bill thinks the house has been ransacked by robbers. He finds Eve among the mess and she tells him everything.

P181 – Everyone comes back to the Banana House.

P182 – Indigo, Rose and Caddy hand the stone angel to Saffy. Saffy discovers that it has been broken to pieces. She says it doesn’t matter and hugs her siblings.

Chapter 13

P183 – Saffy feels a little sad thinking of her angel. Indigo enrolls in a climbing club.

P184 – Caddy manages to go to university and Michael falls in love with Caddy.

P185 – Indigo’s next challenge is to look after the furry animals at his place. Saffy, Sarah and Rose find out there was never anyone called ‘droopy Di’

P186 – Caddy surprises everyone by putting together the pieces of the stone angel and giving it back to Saffy.


Monday, December 14, 2009

Home Based Learning

Dear all,

the following is an interesting short story for your reading. Your Online Learning Tasks are included at the bottom of this entry.

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“All Summer in a Day” is a 1954 science fiction short story by Ray Bradbury. It is about a class of children on Venus who are eagerly awaiting the one day every seven years when the rain will briefly stop and the sun will shine.
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All Summer in a Day
by Ray Bradbury


"Ready?"
"Ready."
"Now?"
"Soon."
"Do the scientists really know? Will it happen today, will it?"
"Look, look; see for yourself!"
The children pressed to each other like so many roses, so many weeds, intermixed, peering out for a look at the hidden sun.

It rained.

It had been raining for seven years; thousand upon thousands of days compounded and filled from one end to the other with rain, with the drum and gush of water, with the sweet crystal fall of showers and the concussion of storms so heavy they were tidal waves come over the islands. A thousand forests had been crushed under the rain and grown up a thousand times to be crushed again. And this was the way life was forever on the planet Venus, and this was the schoolroom of the children of the rocket men and women who had come to a raining world to set up civilization and live out their lives.

"It's stopping, it's stopping!"

"Yes, yes!"

Margot stood apart from these children who could never remember a time when there wasn't rain and rain and rain. They were all nine years old, and if there had been a day, seven years ago, when the sun came out for an hour and showed its face to the stunned world, they could not recall. Sometimes, at night, she heard them stir, in remembrance, and she knew they were dreaming and remembering and old or a yellow crayon or a coin large enough to buy the world with. She knew they thought they remembered a warmness, like a blushing in the face, in the body, in the arms and legs and trembling hands. But then they always awoke to the tatting drum, the endless shaking down of clear bead necklaces upon the roof, the walk, the gardens, the forests, and their dreams were gone.

All day yesterday they had read in class about the sun. About how like a lemon it was, and how hot. And they had written small stories or essays or poems about it:
I think the sun is a flower,
That blooms for just one hour.

That was Margot's poem, read in a quiet voice in the still classroom while the rain was falling outside.

"Aw, you didn't write that!" protested one of the boys.
"I did," said Margot. "I did."
"William!" said the teacher.
But that was yesterday. Now the rain was slackening, and the children were crushed in the great thick windows.
"Where's teacher?"
"She'll be back."
"She'd better hurry, we'll miss it!"

They turned on themselves, like a feverish wheel, all tumbling spokes.

Margot stood alone. She was a very frail girl who looked as if she had been lost in the rain for years and the rain had washed out the blue from her eyes and the red from her mouth and the yellow from her hair. She was an old photograph dusted from an album, whitened away, and if she spoke at all her voice would be a ghost. Now she stood, separate, staring at the rain and the loud wet world beyond the huge glass.

"What're you looking at?" said William.
Margot said nothing.

":Speak when you're spoken to." He gave her a shove. But she did not move; rather she let herself by moved only by him and nothing else.

They edged away from her, they would not look at her. She felt them go away. And this was because she would play no games with them in the echoing tunnels of the underground city. If they tagged her and ran, she stood blinking after them and did not follow. When the class sang songs about happiness and life and games her lips barely moved. Only when they sang about the sun and the summer did her lips move as she watched the drenched windows.

And then, of course, the biggest crime of all was that she had come here only five years ago from Earth, and she remembered the sun and the way the sun was and the sky was when she was four in Ohio. And they, they had been on Venus all their lives, and they had been only two years old when last the sun came out and had long since forgotten the color and heat of it and the way it really was. But Margot remembered.

"It's like a penny," she said once, eyes closed.
"No it's not!" the children cried.
"It's like a fire," she said, "in the stove."
"You're lying, you don't remember!" cried the children.

But she remembered and stood quietly apart from all of them and watched the patterning windows. And once, a month ago, she had refused to shower in the school shower rooms, had clutched her hands to her ears and over her head, screaming the water mustn't touch her head.

So after that, dimly, dimly, she sensed it, she was different and they knew her difference and kept away.

There was talk that her father and mother were taking her back to earth next year; it seemed vital to her that they do so, though it would mean the loss of thousands of dollars to her family. And so, the children hated her for all these reasons of big and little consequence. They hated her pale snow face, her waiting silence, her thinness, and her possible future.

"Get away!" The boy gave her another push. "What're you waiting for?"
Then, for the first time, she turned and looked at him. And what she was waiting for was in her eyes.
"Well, don't wait around here!" cried the boy savagely. "You won't see nothing!"
Her lips moved.
"Nothing!" he cried. "It was all a joke, wasn't it?" He turned to the other children. "Nothing's happening today. Is it?"
They all blinked at him and then, understanding, laughed and shook their heads. "Nothing, nothing!"
"Oh, but," Margot whispered, her eyes helpless. "But this is the day, the scientists predict, they say, they know, the sun. . . ."
"All a joke!" said the boy, and seized her roughly. "Hey, everyone, let's put her in a closet before teacher comes!"
"No," said Margot, falling back.

They surged about her, caught her up and bore her, protesting, and then pleading, and then crying, back into a tunnel, a room, a closet, where they slammed and locked the door. They stood looking at the door and saw it tremble from her beating and throwing herself against it. They heard her muffled cries. Then, smiling, they turned and went out and back down the tunnel, just as the teacher arrived.

"Ready, children?" she glanced at her watch.
"Yes!" said everyone.
"Are we all here?"
"Yes!"
The rain slackened still more.
They crowded to the huge door.
The rain stopped.

It was as if, in the midst of a film, concerning an avalanche, a tornado, a hurricane, a volcanic eruption, something had, first, gone wrong with the sound apparatus, thus muffling and finally cutting off all noise, all of the blasts and repercussions and thunders, and then, second, ripped the film from the projector and inserted in its place a peaceful tropical slide which did not move or tremor. The world ground to a standstill. The silence was so immense and unbelievable that you felt your ears had been stuffed or you had lost your hearing altogether. The children put their hands to their ears. They stood apart. The door slid back and the smell of the silent, waiting world came in to them.

The sun came out.
It was the color of flaming bronze and it was very large. And the sky around it was a blazing blue tile color. And the jungle burned with sunlight as the children, released from their spell, rushed out, yelling, into the springtime.

"Now don't go too far," called the teacher after them. "You've only two hours, you know. You wouldn't want to get caught out!"
But they were running and turning their faces up to the sky and feeling the sun on their cheeks like a warm iron; they were taking off their jackets and letting the sun burn their arms.

"Oh, it's better than the sun lamps, isn't it?"
"Much, much better!"
They stopped running and stood in the great jungle that covered Venus, that grew and never stopped growing, tumultuously, even as you watched it. It was a nest of octopi, clustering up great arms of flesh-like weed, wavering, flowering this brief spring. It was the color of rubber and ash, this jungle, from the many years without sun. It was the color of stones and white cheeses and ink, and it was the color of the moon.

The children lay out, laughing, on the jungle mattress, and heard it sigh and squeak under them, resilient and alive. They ran among the trees, they slipped and fell, they pushed each other, they played hide-and-seek and tag, but most of all they squinted at the sun until the tears ran down their faces, they put their hands up to that yellowness and that amazing blueness and they breathed of the fresh, fresh air and listened and listened to the silence which suspended them in a blessed sea of no sound and no motion. They looked at everything and savored everything. Then, wildly, like animals escaped from their caves, they ran and ran in shouting circles. They ran for an hour and did not stop running.

And then—
In the midst of their running one of the girls wailed.
Everyone stopped.
The girl, standing in the open, held out her hand.
"Oh, look, look," she said, trembling.
They came slowly to look at her opened palm.
In the center of it, cupped and huge, was a single raindrop.
She began to cry, looking at it.
They glanced quietly at the sky.
"Oh. Oh."

A few cold drops fell on their noses and their cheeks and their mouths. The sun faded behind a stir of mist. A wind blew cool around them. They turned and started to walk back toward the underground house, their hands at their sides, their smiles vanishing away.

A boom of thunder startled them and like leaves before a new hurricane, they tumbled upon each other and ran. Lightening struck ten miles away, five miles away, a mile, a half mile. The sky darkened into midnight in a flash.

They stood in the doorway of the underground for a moment until it was raining hard. Then they closed the door and heard the gigantic sound of the rain falling in tons and avalanches, everywhere and forever.

"Will it be seven more years?"
"Yes. Seven."
Then one of them gave a little cry.
"Margot!"
"What?"
"She's still in the closet where we locked her."
"Margot."

They stood as if someone had driven them, like so many stakes, into the floor. They looked at each other and then looked away. They glanced out at the world that was raining now and raining and raining steadily. They could not meet each other's glances. Their faces were solemn and pale. They looked at their hands and feet, their faces down.

"Margot.
One of the girls said, "Well . . .?"
No one moved.
"Go on," whispered the girl.

They walked slowly down the hall in the sound of the cold rain. They turned through the doorway to the room in the sound of the storm and thunder, lightening on their faces, blue and terrible. They walked over to the closest door slowly and stood by it.

Behind the closed door was only silence.

They unlocked the door, even more slowly, and let Margot out.

- END -
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Online Learning Task
1) Pick out one character whom you felt a great sense of sympathy towards.
Explain, in 100 words, how you think the author has managed to successfully arouse sympathy in the reader.
(you may focus on the choice of words, description of character's appearance, behavior, how other characters relate to him/her etc)

2) Imagine you are one of the characters living on Venus. Describe, as vividly as you can, how a typical day would be like in at least 200 words.

3) This short story was made into a 25min movie. Watch it on youtube at the following links:
Part 1: http://www.youtube.com/watch?v=-QWmahMdeGU&feature=related
Part 2: http://www.youtube.com/watch?v=DI8A1LOLdkA&feature=related
Part 3: http://www.youtube.com/watch?v=XQfWno_DuB0&feature=related

4) Which did you prefer? The story or the movie? Explain your choice in 250 words.

All answers are to be written on foolscap OR typewritten and printed in hardcopy for collection when the new term starts.